I finished A Visit From the Goon Squad by Jennifer Egan the other night. I'm becoming such an old lady that I promptly began referring to it as The Geek Squad, until Mr. Scobie reminded me that that is actually a commercial service provided by a major electronics chain and not a Pulitzer-prize winning novel. And why is it P-p winning? If it is truly the best fiction book written this year, then I definitely don't feel bad for not having read the others.
Goon Squad isn't bad, per se. It just isn't memorable, or novel. It's structured like a set of short stories which are entangled by shared characters and referenced situations (i.e. something that happens in one chapter/story will be referred to in another). The styles of the stories differ, as does the voice - one of the better ones is actually a Power Point presentation by a 12-year-old. Which is adorable and brilliant, right? But let me ask you something: would any of the following writers ever have written a Power Point presentation to get at the loveliest denouement of their novel: Steinbeck, Hemingway, Bellow, Roth? How about Jane Austen pr Joyce Carol Oates? How about Judy Fracking Blume? No, they would not have done that. Why? Because they are masters of voice and narrative and don't have to resort to trickery and stylishness and something that seems vaguely like magical realism but is really just spacy, lazy omniscience.
This is all the rage now. The "good" books are all jump-cut and we are expected to be kept off-base by switching stories and narratives. This is why I didn't like (and didn't finish) Cloud Atlas. It was too precious that it was a set of nesting stories. Ditto The Imperfectionists: although better written than Goon Squad, it took way too long to begin weaving its stories together. Hell, since I didn't finish that either, it maybe never did.
I want to be told long, involved character-driven stories. I don't even mind if they are, in fact, magical realist. Or scifi. Take Infinite Jest. I've decided IJ is probably science fiction. That's okay with me. It has a consistent style, strong characters, limited enough in number to be really engrossing, a distant but familiar world where politics and technology are ours, magnified. And the subplots are woven together, not mashed up or folded in on eachother without actually touching.
Why am I going on like this? I'm annoyed that I have nothing to read, and that maybe the books that I should be reading are the ones I had already written off. It's also possible that I am jealous of these writers. I have this sense that I could tell a better story but fear that I can't. Or won't.